WORKS (SELECTION)
01 Untitled (Interpolis), 02 Untitled (Best Western Hotel, Budapest), 03 Untitled (Rebecca MM), 04 Untitled (French Affair), 05 Untitled (SDB), 06 Untitled (Dédász Zt), 07 Untitled (Banque Populaire du Sud). All drawings, pencil on paper, 29,7x21cm, 2008-ongoing.
Exhibition at Loraini Alimantiri/Gazonrouge. >Press release
'Untitled (Are We Down For The Same Cause?) #1, #2' (Pencil, pen, ink and acrylic on paper, 29,7x21cm each, 2006-2009)
Exhibition at Stedelijk Museum Bureau (SMBA), Amsterdam. SMBA Newsletter nr. 106 (Dutch/English), with an essay by Kerstin Winking can be downloaded here.
'Get Closer To Be Far Away', digital print on paper, dimensions variable, 2008 (The dust at my feet, in my studio, on my scanner)
'Hey Hey, My My (Into the Black)' is an ongoing project. The work started by recording the original video footage
of Neil Young’s live performance of ‘Hey Hey, My My (Into the Black)’ – Rust Never Sleeps Tour, 1978-1979.
This recording is then displayed on another monitor and recorded again by positioning the camera in front of it.
This proces is repeated over and over again, blurring both image and sound by increasing degrees. Every occasion the video is shown, a new video-take is recorded.
'O Let It Be' - Marijn van Kreij, Drawings, photographs and collages. Published by Rijksakademie van Beeldende Kunsten, Amsterdam. Editing and design in collaboration with Adriaan Mellegers. Printed by Veenman Drukkers, Rotterdam. ISBN/EAN: 978-90-78681-05-2. > Rijksakademie Bookshop
Installation part of the groupshow 'Endless Lowlands Breaking Up (part 2)' curated by Alexandra Blättler, with: Gwenneth Boelens, Peggy Franck and Alon Levin at Gallery KLEMM'S, Berlin
'Beauty and its control ask you...', Acrylic and ink on wall, 7,5x7,5cm, 2008 (Installed once in an exhibition space, once at an art fair and secretly in my parents' bedroom)
'Untitled', Orange, mirror and fake orange (foam, tape, acrylic), 13x16x30cm, 2008
Onomatopee 17, 'Where I End and You Begin' by Navid Nuur and Marijn van Kreij, two large doublesided posters (124,6x96cm). ISBN: 978-90-78454-12-0. For more information: www.onomatopee.net
Installation part of groupshow 'The present order is the disorder of the future' at De Hallen, Haarlem. Curated by Xander Karskens, with Slater Bradley(US), Pablo Bronstein(UK), Milena Dragicevic(CS/CA), Manuel Graf(DE), Alexandra Leykauf(DE), Jen Liu(US), Nathaniel Mellors(UK), Tris Vonna-Michell(UK), David Noonan(AU), Stefan Rinck(DE), Torsten Slama(AT), Guido van der Werve(NL). >Short text by Xander Karskens
All drawings: 'Untitled (Nirvana)' (Pencil, acrylic and/or ink on paper, dimensions variable, 2006-ongoing)
'Untitled (Styles, Crews, Flows, Beats) #1, #2' (Pencil, pen, ink and acrylic on paper, 29,7x21cm each, 2007)
Installation at Galerie Sabine Schmidt, Cologne for KölnShow 2, European Kunsthalle, Cologne. Curated by Nicolaus Schafhausen and Florian Waldvogel. >Text
Installation part of a groupshow at Galerie Eva Presenhuber, curated by Milovan Farronato, with Mircea Cantor, Roberto Cuoghi, Katharina Fritsch, Runa Islam, Marijn van Kreij, Sterling Ruby and Danh Vo.
01 Untitled (Point of No Return), 02 Untitled (Shut Up I Am Dreaming), 03 Untitled (To The Heart Of Our Existence), 04 Untitled (Cold Hard Times), #1, #2, 05 Untitled (Another Problem Solved), 06 Untitled (Extremes Collides), 07 Untitled (No Dialogue), 08 Unitled (There's Not A Problem I Can't Fix) 09 Untitled (Brains To Noodles), 10 Untitled (Brand New Idiom Quotes), 11 Untitled. All drawings: pencil, pen and/or acrylic on paper, 29,7x21cm, 2004-2006
Invitationcard with title-work of the show at Playstation/Galerie Fons Welters, Amsterdam, 2003. >Press-release
Untitled, wrapping paper and pencil on paper, 29,7x21cm, 2002
